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Between Art and Gameness: Critical Theory and Computer Game Aesthetics. Graeme Kirkpatrick - - Thesis Eleven 89 1: The context for understanding this claim is the decline of the artwork as bearer of form in the late 20th century, as this was understood by Adorno.
Form is the enigmatic other of instrumental reason that emerges spontaneously in creative works and, in the modern era, is defined as that which makes them captivating and enigmatic yet resistant to analytic understanding.
Kant emphasized the role of play in the constitution of imaginary realms associated with aesthetic pleasure. Ludology takes play as an anthropological given differentiated historically by the development of game structures. Neo-baroque theory postulates a labyrinthine, complex and de-centred entertainment culture, largely shaped by computing as a cultural practice.
The article synthesizes insights from these perspectives and, drawing on ideas from Adorno and Benjamin, argues that computer games can occupy an oppositional or critical role within contemporary aesthetics and culture.
Reflection on the constitutive processes of computer game play discloses a new place for instrumental reason within aesthetic experience, as the dialectic of form and analysis migrates from traditional art materials to digital electronics.If you are looking for a book by Patrick Grim The Philosophical Computer: Exploratory Essays in Philosophical Computer Modeling in pdf form, then you have come on to faithful website.
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