Manon Lescaut, a pretty little girl with a taste for pretty things, became sidetracked by a pretty young man. Natalie Dessay; Des Grieux:
Its aims include building a larger audience for the Met and garnering excitement for arts at a local level. The original idea for presenting operas in this way came from the new incoming general manager of the Met, Peter Gelb in late Exhibiting the Met's performances in digital movie theaters is in line with other audience-expanding efforts by the Met such as radio broadcasts on Sirius RadioiPod downloads, live streaming video on the Met website, and free opening night screenings in Times Square and at Lincoln Center.
This audience includes current opera fans unable to get to New York City to see the shows in person and potential opera fans looking for an easy, affordable method of checking out a new art form.
Tom Galley, chief operations and technology officer of National CineMediadescribes the experience by saying: This Metropolitan Opera series is a unique opportunity for people to experience world-class opera in their local community, plus the movie theatre environment and affordable ticket price make these events something that the entire family can enjoy.
In addition, selected performances can now be viewed online. After its successful launch, several other countries joined for the second season and screens were added, selling an additional 20, tickets.
The relays are the brainchild of the Met's new general manager, Peter Gelb, or one of his innumerable brainchildren, part of a campaign both to rejuvenate the Met's audience in New York and to welcome what he calls 'the global opera community' into the fold.
About 40 people work on the technical aspects of each broadcast, with one comparing the scale of the logistics to the preshow coverage of the Emmy or Academy Awards. No same-day substitution of a major cast member for a Live in HD performance was necessary until Januaryperhaps because of the appeal of performing for a worldwide audience and the opportunity to appear on the subsequent DVD of the broadcast.
About one in five, however, did not attend a live opera performance in the previous two years, with some being completely new to opera and attending because of curiosity about it. The majority claimed to equally enjoy broadcast and live opera, and more than half stated they would "very likely" attend an opera performance at the Met if visiting New York.
Last season, 10 operas were transmitted via satellite into at least 2, theaters in 66 countries, including more than U. Stephanie Blythe starred in all three operas, singing the roles of Frugola, the Princess and Zita.
In addition, limited repeat showings of the operas were offered in most of the presenting cities. These movie transmissions were successful at the box office as well as having received wide and generally favorable press coverage. Further, the number of available theaters expanded to across the US and additional countries throughout the world.
The number of participating venues in the US, which includes movie theatre chains as well as independent theatres and some college campus venues, was The Met has said that it hopes to reach as many as one million audience members with this season's HD transmissions"  The schedule of live broadcasts included:daily herald is suburban chicago's largest daily newspaper.
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Manon, Chicago, 27 September Dessay, Kaufmann bring "Manon" to life at Lyric Opera Lyric Opera of Chicago picked the ideal vehicle to open its season Saturday night: Jules Massenet's "Manon," a showpiece for great singing, acting, dancing and stagecraft. Manon at Lyric Opera of Chicago.
A funny thing happened on the way to the convent. Manon Lescaut, a pretty little girl with a taste for pretty things, became sidetracked by a pretty young man.
Manon (Natalie Dessay) and Des Grieux (Jonas Kaufmann) have fallen in love. Act I, Manon. Chevalier des Grieux (Jonas Kaufmann, seated) angers the powerful Guillot de Morfontaine (David Cangelosi, standing, bareheaded) by winning at cards as Manon (Natalie Dessay) looks on; edited image, based on Robert Kusel photograph, courtesy of Lyric Opera of Chicago.